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COLLECTION BOX FOR THE VENICE BIENNIAL 1999 Perspex and cards 35cm x 35cm x 35cm |
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TERESA ME LO ENDEREZA 1999 Acrylic |
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THE STORY OF ARIAS 1998 The Story of Art E.H. Gombrich's Story of Art, metal 45cm x 17cm x 21cm |
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THE STORY OF ARIAS 1998 Appendix to The story of Art featuring the following works. 15cm x 21cm Published by London Printworks Trust |
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THE LINE 1997 Fragment from the Mexican/USA border fence, stainless steel, borax powder, glass. |
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THE MULE 1997 Performance with endoscope during the opening of Insite'97 |
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THE LINE The Line Installation detail. |
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Inserting human umbilical chords from the Mexican side into the USA. |
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RADIOACTIVITY 1998 Arias took a radioactive container from Colombia to London in his rucksack. It had originally been manufactured in the UK. |
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THE TENT 1997 I asked my mother to put me back inside her womb, instead she crocheted me a tent. Cotton, photograph on canvas, aluminium, lighting 1.50mt x 1.50mt x 2mt |
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THE TENT 1997 Installation detail |
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Sordunia presents 9 umbilical chords to the artist in the company of his parents. |
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Sketch for Mother Earth Nine umbilical cords planted |
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MOTHER EARTH 1998 Installation of nine human umbilical cords, formaldehyde, soil, lighting 30cm x 30cm x 80cm each glass box |
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MOTHERLAND 1997 Umbilical cords, formaldehyde, stainless steel 80cm x 60cm x 1mt |
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FLAG 1998 Red letters on flag 3mt x 4mt |
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HAPPY HOUR 1998 Installation, cocktail shaker, glass, blood, semen, neon lights, sound, wood 1,50mt x 45cm x 45cm |
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WHAT IS HE BID? 1997 Fragment of Fernando Arias' skin tattooed with his signature for sale |
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CRISIS BRONZE 2005 Size of artist's head 30cm. Commisioned by Daros Latinamerica Logo created in 1997 for the auction sale of Arias's tattooed skin at ARCO'97. |
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DRAINED 1998 Site specific installation. Magnifying glasses, Metal, Blood. |
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Red Carpet proposal for the Bogotá Biennial |
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UNTITLED 1996 (blood and cocaine letter) Untitled Glass, artist's blood, cocaine, borax 2mt x 2mt x 2mt |
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'I would also like to ask you, my dear Fernando, to consider the possibility of making a piece that wouldn't require sponsorship because, given the country's situation, finding economic assistance for cultural projects is more difficult each day'. Fragment of letter from the Director of the Museum of Modern Art, Bogotá |
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ABNORMAL THOUGHTS OR DREAMS? 1996 Nine photographs, wheelchair, mirror, metal |
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CORPOREAL AMORPHOUS DISORDER 1996 Artist and his mother, photograph on PVC 5mt x 2mt |
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LUST 1995 Installation Video, sound, metal, meat |
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LUST 1995 Installation detail |
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Seropositivo sketch |
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SEROPOSITIVO 1994 Installation photography, blood samples, UV light 4mt x 4mt variable |
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COOLING ROOM 1993 Installation with metal, blood samples, UV light 2mt x 1.90mt x 7mt, variable National Prize |
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ANALYSIS 1992 Invite card Blood samples |
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ANALYSIS 1992 Blood samples, photography 9mt x 7mt x 3mt, variable |
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IMAGES AGAINST AIDS 1994 Poster for Images Against Aids Photograph on paper, blood samples 50cm x 90cm |
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TRANSMISSIONS 1995 Poster for Images Against Aids Photograph on paper, blood samples 50cm x 90cm READ MORE |
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Poster commissioned to promote the VII Regional Art Shows |
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ART DOES NOT MAKE SENSE Artwork/poster shown at the National Art Show |
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